Futurama: The Beast with A Billion Backs

If one is expecting, someday, for Matt Groening and producers to resolve the Fry and Leela love drama, don’t get your hopes up when it comes to the new Futurama DVD, “The Beast With A Billion Backs.”
The feature length episode treats a number of story arcs with the same theme: love. In the previous straight to DVD release, Bender’s Big Score, the issue of Fry and Leela came off with the standard science fiction time travel complexity. Basically, Leela falls for an older, balder man named Lars. But, as it turns out, Lars was just an older, more mature version of Phillip – the complexity of constant time travel caused for there to be a number of “clones,” each of which were “doomed” in the name of the Universe righting itself.
“The Best With A Billion Backs” basically starts where the previous DVD left off – there’s a tear and the space time continuum, but it abandons it for awhile. Phillip is in a relationship with a new woman, but the new gal pal actually lives with a bunch of other guys that she considers her “boyfriend.” In the end, Fry is crushed, and he decides to end it all by exploring the tear in space. On the other side, he finds an alternate universe, populated by a planet sized being with tentacles. Here’s where it gets a little goofy and convoluted. The being is romantically interested in humanity. And after a couple of “dates” with every member of humanity, the human race is likewise interested. Sound nefarious? Imagine of Lovecraft’s elder gods were actually hen-pecked nerds that used words like “honey-poo.” The rest can be left up for a viewer to decide and/or watch. Lets just that Bender gets jealous from the lack of attention people give him and tries to wreck the relationship.
On the whole: it’s funny, and it’s a new Futurama disc. Realistically speaking, it’s not as good as “Bender’s Big Score” or the episodes that were written towards the end of Futurama’s run. On a more positive note, one doesn’t have to wait a whole year for the third feature to be released.
One of the never ending debates, these days, is usually 

Lets see, the possibilities here are both interesting and hard to imagine. 


There’s a couple of reasons why The Simpsons has likely survived all these years on television. Compelling, memorable characters is probably first and foremost – Bart, Lisa, Marge, Maggie, and Homer are now iconic figures in American pop-culture. Also, one can make a case that’s it’s even has some cultural clout in other countries too. After all,
As has been noted elsewhere on this blog,
For some, The Simpsons has been dying a slow death by becoming a mere shadow of what it once was. For others, myself included, that’s a load of bull. I tend to think that some people – my parents included – go through a Simpsons “phase” they watch the show for a couple of seasons, and then for whatever reason, they just stop watching. Somehow, the show has either stopped appealing to them, or they’ve outgrown it. On the other hand, faithful viewers see the same rich characters week in and week out in new social situations. The characters, after all, make the show, but then again, as with a lot of satire, the level of relevance also depends on what’s happening in society. I think that’s what’s kept the show around for so long – it continually adapts it’s satire. 


There are many things to love about Bender, but irreverence is probably the best. But then again, it’s interesting to step back about, and compare Futurama with it’s sister program, The Simpsons. One cannot remotely compare any of the main characters from one show with the other. There’s only one Zoidberg, Fry, Leela, Hermes, Bender or Professor, just like there’s only one Homer, Bart, Marge, Lisa and Maggie. Good writing and show development is certainly key, but one can also make the case that it’s the voice actor’s personality that also plays a dominating, shaping role. 